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Roberto Osti - Aesthetic Anatomy: focusing on structure and aesthetic of the Human Figure

This Figure Anatomy workshop, is the first of a series dedicated to analyze and draw the male

and female figure from life, focusing on their structural, skeletal, muscular and aesthetic

aspects, at the end of this series of workshops, the participant artist will have acquired a solid

foundation in Anatomy for Figure Drawing, including a number of drawing techniques

traditionally associated with figurative art. This first workshop will deal with the stereometric

rendering of the figure, discussing proportional relationships between the various parts of the

body, structural characteristics of the male and female figure and measuring and drawing

techniques. Future workshops will deal with the skeletal and muscular structures of the various

parts of the body: torso, head, arms and legs in front back and side views, and finally hands and

feet.

My approach stems from the method devised during the Italian Renaissance that revolutionized

the way the human figure was painted or drawn and has been continuously developed and

tweaked since. Known as the Florentine Structural System, it is still one of the main approaches

to depict the human figure, harmoniously blending anatomical, aesthetic and expressive

aspects of the human body.

The workshop will start with one hour demo where I will introduce and demonstrate the

essential aspect of this holistic method, followed by a 2-hour drawing session in the morning

and a 3-hour drawing session in the afternoon, giving the students ample time to practice

drawing the figure in a variety of poses and from different angles, using a variety of media:

graphite, charcoal and chalk on white and toned paper.

Materials

- A pad of Strathmore Drawing series 400 in size 11”by !4” or larger. You can also use any

other paper you like to work with but not newsprint paper because of its poor quality.

-Graphite pencils in HB and 2B gradations

- A couple of red earth colored pencils, such as Venetian red or Indian red or burnt Senna.

Very good brands are Faber Castel or Caran D’Ache.

- Charcoal sticks, such as Nitram, and compressed charcoal pencils, such as Wolff or

General’s, in hard, medium and soft gradations.

- Kneaded erasers, sand paper and a small, sharp blade to sharpen pencils and charcoal.

Next
Next
May 16

FORM AND COLOR: PAINTING THE FIGURE with Steven Assael